when no one is watching ramona, is usually listening to future times records and beautiful swimmers all days. maxmillion dunbar is not only half of those aquanauts, but also running the label and releasing music as max(million) d(unbar). what a guy! hanging out in the vague territory between slow-motion house with a hip hop feeling or dubby and dubious fun music, his melodious approach is extremely hard to categorize but all the more enjoyable. >polo< already saw the light of day on >max trax for world peace<, but ramonas favorite dj ata and live at robert johnson manager oliver hafenbauer were so much in love with the bleepy bonbon that they offered it a place by their fireside. now cautiously modified, fine-tuned and extended for its label home, its a rainforest serenade for beatnik boys and girls, with all the ingredients you want from tha d. the only kid able to thrown down the gauntlet in front of maxi is frankfurts melody man phillip lauer (arto mwambe, brontosaurus, etcetera etcetera). turning >polo< into one of his trademark sluggish bass line barrage tracks with falsetto synths and sharp snares. get your vogue brogue out.

la vita non e cara. superb european floor filler disco obscurities, edited by the greatest italo disco connaisseur from down under: hysteric. comes with beautiful stickered picture cover, handstamped label and numbered press sheet. limited edition of 250 copies.

ltd to 100 copies! maximal 1 copy per customer / maximal 1 exemplar pro kunde!! super solid 12inch single from sex tags manias dj sotofett - excellent 45rpm uk-style cut and pressing. full side is ultra bouncy, see: tropical house take on mid-80s instr. lovers rock with metallic and dreamy synth break down . flip side starts with crispy tr-909 hip-hop (feat. don papa on organ and dynamo dreesen on efx), last out is a psychedelic afro-house track with a marvelous flute solo.

the parade continues! material exclusive remixes from jerome sydenham, mauro picotto, coyu.after mihalis album for the 5 years of material the follow up remixing sessions wont let you down! big up!

psych-y, droning disco aces from birminghams free school duo, backed with mark e and nutaike remixes. coming from a similar angle as caribou or four tet, >unravelling after the lottery< layers droning, almost noisy synths over bass-loaded kicks in a trippy cosmic disco miasmah sure to shock the dance.
mark es remix tames the drones for a more heads-down, molasses jacker arranged with his hypnotic evolutions.

already causing a stir on promo, dark arts 01 comprises 4 tracks of deeply arresting dancefloor music. mid blue is a soundtrack for the darkest corner of the warehouse. the square bass grabs you from the first bar and combines with cosmic sweeps to drag you down deep before the toms come in to add that all-important funk factor. broken space is a beautifully playful track. the stuttering beat, organic percussion and melodic touches merge with the darkest of strings to create a sound rooted in classic electronica but belonging firmly in the present. restraint is a burst of heavyweight electroid futurism – rock-solid beats and alien sounds from god-knows which galaxy combine with a razor-sharp cymbal attack. handle with care. proper deep detroit business – a quote from just one of techno’s most well-respected producers.red_dust2 is a huge, rolling tech-house rhythm, mixing the warmth of the motor city with the cold machine funk found this side of the pond. pure, timeless and custom-built for the dancefloor. mastered by one of the most well respected engineers in techno and pressed in one of europe’s finest pressing plants, dark arts 01 is limited to 250 hand stamped, clear vinyl copies.

a product of his surroundings, wasserfall creates organic, electronic music using an array of tools - including a nord modular g2x, a roland tr 909, a roland sp 404 sampler & an apogee ensemble – but dont think for one minute that its all about the gear, and that he is just a technical producer. field recordings feature heavily in his work, and you can often find him patrolling the streets of oslo or berlin hunting for the perfect sound that will convey his ideas within the piece. anders is just as at home creating scores for film as he is producing rhythms for the dance floor, during his time in berlin he created a contemporary soundtrack of the old russian silent-fim classic a man with a movie camera (dziga vertov 1929) which was performed live in berlin, bremen and in bergen. after all this is said and done, the e.p boils down to just one thing - house music for the heads. nothing lightweight, just the heavy goods. long time coming on vinyl, dont miss out on the result of a year of work getting it just right, if you managed to bag the previous #gcw vinyl you know we take absolute pride in our output. a strictly limited pressing. mastered to 180g vinyl by the one & only john dent @ loud mastering.

another city now is the debut ep from ango aka andrew gordon macpherson, the next fresh voice hailing from montreal, canada on the luckyme label. a frequent collaborator with jacques greene, lunice & nycs azealia banks, now is the time for ango to step out alone. over this 6 track narrative - written on the road whilst touring in january 2011 – one hears late 80s pop, early 90s house and contemporary rnb arise in equal measure. every bit the writer as he is the producer, this record is a lyrically polarised selection of girl songs expressing the giddy way up and the painful way back down. but theres something defiantly warm in angos music that serves as a refreshing antidote to 2011s endlessly morose electronic music. where polysynths and hi hats spring above plates of live processed vocals, chopped samples are harmonised upon, punctuated with thumping drums. another city now is a balanced record: upbeat and deep, vintage and yet totally modern, as heart aching as it is uplifting. our tenth record is something special.

more stunning beats from the man (?) like rrose... comes on black wax in printed inside and out sandwell jacket. in stark contrast to his recent work >the merchant of salt<, rrose takes us way, way deeper with this brilliant new 3 tracker. perfect warm-up / cool down material on offer here - bound to go down well after his (?) recent and very well received live set at berlins berghain.

pop ambient 2012 begins in an unusually new but nevertheless somehow familiar fashion. mohn with manifesto is the opening act. a manifest of slowness. a slowness that jörg burger and wolfgang voigt have taken up as new mission. mohn is their new ambient-grunge-down-beat project, scheduled to depart on its official musical journey to middle earth early 2012. what follows is equally surprising: the old kompakt swashbuckler superpitcher is taking part for the very first time.
cd version of this album included.

something of a departure into uncharted territory for ostgut ton on the fiftieth single release of the label. following berghains hugely sucessful art exhibition alle which showcased the many visual artists among the members of staff at berghain/panorama bar, ostgut ton shows they cannot be pinned down easily to one genre by offering their anniversary release to two artists of the extended ostgut family who normally wouldnt be associated with what you might have come to expect from the label. shambhu the undisputed queen of the berghain bar ladies (she regulary holds court every saturday upstairs at her very own gitter bar) and rummelsnuff the germanic hulk of the berghain/laboratory bouncers come up with enchanting and surprising results. the release comes pressed as a 7 inch (a first for the label and limited to 500 hand-numered copies) and each side is given to one of the two artists.

classic bob dylan stuff…

whomadewho, notoriously named after 1986s album by ac/dc, have always been hard to pin down, with their music sounding as effortless as it is stylistically and sonically adventurous. fusing pop and disco memes with punk paraphernalia, the genre-bending trio made up of jeppe kjellberg, tomas høffding and tomas barfod honed their skills on stage and in the studio, releasing a series of bestselling records topped off by their 2011 mini album >knee deep< on kompakt. now they return with the sublime full length >brighter<, due in early 2012 and shaping up to be one of next years highlights. its first single >inside world< is prime stuff as expected…jeppe kjellbergs characteristic vocal hit the pop-nerve in the verses while tomas høffdings soft falsetto holds the song together. second to none is the exclusive flipside, which features a grandiose acoustic version of >inside world< graced by the warm baritone from john grant, former lead vocalist with indie outfit >the czars< and critically acclaimed solo artist. clearly sharing his pivotal vision of pure craftsmanship and musical ingenuity, whomadewho never settled for streamlined mediocrity, thus churning out another instant classic that will rule our hearts and minds.

ghetto funk presents slynk. evan chandler aka slynk had music on the mind from birth. naturally gifted with a musical ear he flirted with a range of classical instruments including piano, guitar and drum. it soon became apparent that his ear was best suited to his own style of ghetto funk inspired bootlegs and remixes.
slynks first artists ep for ghetto funk has already been getting support from some of the scenes biggest players and his track boomin even appeared on krafty kuts most recent promo mix. his work is highly sought after by djs around the world while his forward momentum knows no boundaries. expect big things from this rising star and this ep is no exception.

robb johnson is now widely recognised as one of the finest songwriters working in the uk... “an english original”, says the guardian s robin denselow, “the real deal when it comes to songwriting,” says bbc radio 2 s mike harding.

vanguard sound vol. 3 is the maiden voyage of the vanguard sound label. the mothership is helmed by dj/producers amir alexander and chris mitchell of the vanguard crew. fellow crew members include hakim murphy, g. marcell, dakini9 (lola) and dj spider. the ep series continues with four high intensity bangers that kick ass and take names. stripped down to the core essence, these tracks will bring that left of center otherworldly flavor to your sonic atmosphere. violence!

volta is one of the most sought after producers in russia. one of the newest members to the balance music groups family and he brings versatility like no other producer out there. his productions go in every direction from cosmic disco to deep techno. he is also known as isaev and his other alias common people under the bal-ance alliance anchor. this young producer has set the course for the next generation of future producers. not only is he a producer but his live sets are second to none, and we are glad to have him in the family. the first song is empire times which is a throwback to the early nineties classic new york signature four on the floor sound with fuel injected synths and a great dance floor peak time get down groove. the second song is curious dreams this song has so many different elements, it is by far one of my favorites of the ep, it has an 80&#8223,,,s sound that crosses many different genres of music from disco to classic electro with a splash of house. the third song is called purple train another fantastic take on his production skills with this massive deep techno heater that will get the crowd moving with its deep chords and its lush drum programming makes it dance floor friendly for sure..then last but not least we have song four called ruby nights this song brings a minimal broken beat sound that has the elements of house with a twist. we at fi-nale are happy to have volta cab as a member and we want to share his gifts with you. we would like to thank you for your loving support. stay true to the roots. love you

as said in the info for dérive vol. 2 in 2010, haste makes waste. that in mind it does not surprise it took even more than a year for dérive to come up with vol. 3, but finally its there.a 1 björnski & a different jimi_9 to 5derive co-owner björnski opens up with his first release >9 to 5<, a collaboration with his partner-in-crime a different jimi. sharing a passion for deep house and jazz music, they produced this hypnotic eight minute track built around a jazzy piano loop that melts together with the bass line, surprising the listener with jimis saxophone solo. b1 achim maerz_haters gonna hate >haters gonna hate< comes from derives resident producer achim maerz who just released his first mini album >this is the end< on fine art recordings this summer. obviously it was just the beginning, as he comes up with a warm, deep and dubby yet still pushing track that lets you wanting the night to last forever. b2 tilman tausendfreund_with you the last track on this record is delivered by hamburgs latest talent, tilman tausendfreund. after releasing great solo tracks and coops with christopher rau (e.g. on contentismissing or hypercolour), on >with you< he chills it down to a funky 95 bpm, soulful sweet little something that works great both in your club and bedroom.

we are back and happy to present crimecity discos third release! this time we have our old friend josef jaktmark on both sides, the young mans first own record, nattugglor ep. nattugglor is a swedish expression for creatures of the night. the a-side and title track, nattugglor, is a stripped down micro-house track with a building beat, melancholic melodies and snappy hi-hats. flip the record and you ll find the b-side, vacuum. a darker track with a massive, heavy kick and dubby elements. a perfect ep for the cold and dark nights. crimecity disco is a diy house label based in berlin, with the heart in malmö, sweden.

following on from his massive cross genre hit >computation<, dismantle hits us again with his first release on terrain, n-types jungle influenced dubstep label. both tracks have been kept very exclusive, to keep the dubplate vibe alive.
broke: deep dark and dangerous, rolling breaks and tribal percussion alongside jungalist pads and thunderous bass. this one tears down the dance in the best way possible. dark, but energetic, a staple in n-type set.
times up: similar darkness but more steppy. this one hits you hard with tearing hoovers, powerful lfos and all the atmosphere from a 90s warehouse rave, in a 2011 style.
supported by n-type, hatcha, walsh, youngsta and benton

talkin bout pop music.pop & eye return on great form. overdubbed overtures from all four corners of the dance music world with recognition value,virtue and elegance: space r&b, atlantis disco, carribean new wave, minimal boogie and a declaration of love. four tracks like gentle uppercuts.

backflash - as the title of kellerkinds new ep on stil vor talent rightly suggests - is a full-blown blast from the past that utilises 80s aesthetics in order to craft a wonderfully contemporary ep much in vain of the en vogue sound of 2011: slow, forceful goovers with basslines so big, they might just crush you. nothing less was to be expected of the charismatic swiss producer marco biagini who has already proven his wide-ranging understanding of house music with tracks like länzer is a dänzer or groovebox.

remixes of the track skill shot, which is included on the >20 - two decades of hardfloor< album and originally released on the album >all targets down< from 1998. versalife is a restless producer from terschelling, holland, who strives only to combine digital and analogue together into atmospheric, well designed pieces of music.with such an honest mission, its no wonder the man known as boris bunnik aka conforce has had continued success recently, with a number of singles, eps and albums coming on respected imprints like clone, delsin, meanwhile and rush hour.pip williams from the uk began djing in his ear teens, making electronic mix- tapes for friends in the safe confines of his bedroom. after gentle persuasion from his fanbase, live gigs followed including residencies across london and gigs in europe.a foray into music production was a logical progression.having run its natural course after a string of successful releases, pips drive to showcase his music was still rampant.

for our 77th release we are happy to welcome back bart skils. on the remix nicole moudaber retains the intensity but strips it down to accentuate the swollen beat pulses, creating a harsher dance reality with lower pitched moody bass thuds and gritty echoes. groovy main room mastery!

this album reminds me of those old scratchy 78s

four stripped down, hypnotic tribal-cuts by harmonious thelonious aka stefan schwander of antonelli electr. fame. he perfectly describes his style as >american minimalists vs. african drumming vs. european sequencing<.

on brothers in loves first release, max k. gets right down to business introducing himself and this family project: booming kick drums, thumping toms side by side with sharp hi-hats and staccato claps. machine grooves with sounds as raw as the musical approach of the artist. >losing your cool< builds on a massive kick drum, with a tom groove shuffling the track. it develops into a late summer bloom, which is over as fast as this years berlin summer was – with piercing percussion to remind you that winter is already here! >overdrive<, the first track on the flip, starts as a heavy slow groover with thumping kick, crashing snare and acidic synth lines until a punishing hook enters knocking you upside the head. the second track on the b-side, >indulgence< comes disguised as a stepper with a raw, pulsating analog bass line, but reaches its apex with a whirling synth lead on top of a vocal that could never be classified as your ordinary preachapella.

douglas greed has been rather generous lately: he just offered his debut full-length krl and provided a track on the new upon you compilation. now we are happy to announce that he is sharing four new studio creations with us ... and you!

opus 3 records are both privileged and delighted to release eric bibbs new album >blues, ballads & work songs<, a further enhancement to their association with eric which goes back to 1977 when he was in effect discovered with the success of his debut album >rainbow people<.

hot deal! support by nick curly, reboot, karotte, robert dietz, mathias kaden, soul clap, dj hell, brothers vibe, &me, adam port and many more.. andrew soul continues to shine as one of the most exciting young talents form his native italy. his current switching positions ep on new yorks stranjjur imprint is winning many a plaudit and today he rolls into town with his latest offering on kiara records, too much love will kill you. andrew brings the funk with his deep bassy synth lines and pounding kick. he also continues to impress with his use of vocals, here using a pitched down soulful take. but its the bass that wins the day and takes control. watch the girls move! on the remix kiara welcome dutchman julien chaptal who dips his rework into some fierce nyc flavouring. killer drum pattern and a twist of the vocal bring a whole new face to the original whilst creating a fearsome and equally potent groov

ghettomania is just the finest in retro chicago techno and dancemania dj funk action ? face down ass up !!!

future perfect breaks the tension yet again with another absolute smasher from troublegum. dance-floors around the planet have chosen the sound of the new decade and it summed up by the releases on this label, phatness of sound and the roughest bass-lines imagineable. smack down.

jetzt auch als lp: das grandiose neue album von shelby lynne, das sensationelle kritiken in den medien bekommt! samt exklusiven bonustrack!

mysterious white label dubs of an as yet unidentified artist by the omnipotent 6th borough project. three versions to choose from ranging from the mid tempo a side through to the peak time house dub and back down to the aptly named udder dub

boogie boutique have only had one year in the game, and in that time they have smashed the charts with their releases. to celebrate their first birthday, they have dipped their toes into the glorious world of vinyl with this double 12 inch with seven of the labels finest tracks to date plus one exclusive. make no mistake, this release is big!

kraut - ja! garage - ja! psych-pop - ja!
das album >phantasmagoric< schreitet musikalisch auf heiligem boden und wird diesen spätsommer auf dem frankfurter indie-label hazelwood vinyl plastics (king khan, daniel johnston, grant hart, uva.) erscheinen. mit wehendem banner greift admiral black nach der stratosphäre und ist bereit, das universum zu bezwingen!

a straight upfront pounding original from dutch producer mr jones is joined here on the remix by current drumcode favourite ben sims for a groovier, more funk filled workout. dublin based producer sunil sharpe rounds off the package with a seriously twisted heads down broken beat approach.
armory has been hammered all over by dave clarke for most of 2011 & mr jones is studio partner dave under the guise of unsubscribe. together they have already completed remixes for black asteroid & detrot grand pubahs with more to follow in 2012.

kowton and tom dicicco, residing in bristol and manchester respectively, make very different music from one another. kowtons seems to come from house, perhaps also electro and garage, often quite slow in tempo and hard to pin down to a specific genre. toms music is techno, bass heavy, melodic, textured and rooted around 125 bpm. with these distinctive styles the idea of a split ep might seem ambitious, but the result is four cohesive but different tracks that show the talents of both artists perfectly in the format of two originals on one side and two remixes of each others originals on the other. tom diciccos original is driven by a low-mid range thick stab and pounding kick drum, littered with intricate but not overbearing hi hat and snare work and some very atmospheric mid range. kowtons is subtle and sparse, low fidelity and plodding, with rattling percusion carrying the tune along. on the other side of the record, kowtons remix of toms original is driven by an enormous bassline, with an off kilter dubby feel to the slow tempo and genre defying tune. toms remix of kowton rounds off the ep with a return to stab driven techno, pulsating, dynamic and trance inducing.

chicagos richard pegue was one of the most intriguing figures to come out of the chicago soul scene in the 1960s and 1970s. raised during the citys fertile doo-wop era, pegue immersed himself in music immediately. he cut his chops as a mobile dj, record store clerk and recording artist before stepping into the booth as one of chicagos most enduring radio personalities to grace the citys airwaves. the nickel and penny labels featured in this compilation are twin sides of the same eccentric coin, pegue himself.

local talk is proud to present the first release on their sub-label 1nce again. this is where we bring back classic and forgotten house gems from back in the day with new mixes and reworks. for our first release we have gone back to 97 and a producer known and respected worldwide in the house music community with more than 200 production credits under his belt. joshua michaels aka joshua iz perhaps best known for his collabs with dwayne washington as iz & diz but has of course used many other pseudonyms over the years for releases on labels like prescription, balance, classic, junior boys own, om and guidance. the return was first released on heard, sub-label to tom middletons evolution / universal language productions ltd. using his moniker circulation. the track can easily be described as a mammoth house track, clocking in just over 12 minutes. its one of those pieces of music that’s stood the test of time and why iz has been a major force in electronic music for so many years. on the flip much hyped duo prommer & barck stripped it down from its original costume leaving not much left of the source material resulting in something that we best could describe as old school warehouse meets uk bass. its pretty raw and definitely a basement sureshot!

>hold on< has been given the inimitable touch of deep house master marcus worgull. a classically trained musician like kabuki, he has stripped the track and used jennas vocals stabs to create a exquisite minimal groove to stunning effects. rising drum and bass star eveson has been given >generation x< to remix, and his <ode to a rave generation< is exactly what it is: keeping the haunting synth loop throughout, slowing the track down to finally go back to a rave-friendly 140 bpm with vintage breaks, and making the most of paul st hilaires colourful voice. the result is as awesome as skreams recent >burning up<.

onur engins latest ep of super fine cut finds us in a white 74 caddy cruising up harlem river drive, top down, diggin the nyc scene. the mizells epic production of bobbi humphrey is taken a notch up by onur engins clean and tasteful edition. can it be possible another notch up? emphatically yes - just that extra pump, wonderfully looped and extended intro and were cruising.dropping us down a gear on the flip, onur takes al johnson & jean carnes im back for more & gwen mccraes lets straighten it out and takes us in two equally appealing directions.in back for more,onur engin reconstructs a deep & stellar voyage.straighten it out hits the blue highway with mccraes unique vocals in full flight.another great installement of onur engins warm & natural edit series. dont miss!

veteran uk producer/dj paul macs debut release for art shows his remarkable versatility and meticulous production skills. odd things amount to nothing is very much a modern techno wall-shaker. it’s incessant drones and wails ride upon a wave of relentless beats. the track pauses to catch its breath after a tremendous build before once again going clattering down the rails. the flipside is the track that original caught label-owner and a&r kirk degiorgios ear - a modern take on the classic chicago/detroit hybrid sound of the late-eighties, brought up-to-date with a crisp sound

alex and bill met 16 years ago when bill signed one of alex s first productions (is this the rhythm? by rhythmnvibe) to a new york label he was running. alex, whose father lives in the us, was a regular visitor to the states and they sent many happy hours together hanging out at the sound factory bar and comparing maw dubs. when bill returned to the uk in 1996, they had a few sessions together making house music, though neither of them can remember why they never finished anything or, indeed, what became of the tracks. fast forward a few years and they finally got back into the studio to make sweet music together under the moniker hotel motel. since then they have created a rich seam of work that some have already described as, like salvador dali with his pants down being fellated by deirdre barlow. few would disagree.

>he mentioned he was a house head, something about being old school<henry maldonado knows a thing or two about dance music. having made his mark in the 90s on strictly rhythm and maw, the new york native more recently delved into disco endeavors, both as one-half of native underground on wurst and under the shade, and also solo as son of sound on tirk, and now mystery meat.spirit catcher is peak-time filtered disco house action of the highest order. punchy drums, a huge bassline and massive floor-filling vocals do the damage every time. she rides takes the tempo down a notch, bringing that electro funk vibe you know all the kids were poppin and lockin to way back when.thanks in advance keeps things firmly in the 80s with affected female vox and killer arpeggios aplenty. mmmm, the meat sure is tasty this week!

nice price deal !!! the third, somewhat overdue, installment of andy blakes cave paintings series finally sees the light of day. all the cave paintings releases are one-take analogue excursions constructed by machines and recorded live in new cross gate and mastered for vinyl in hackney.3x is a close cousin of 2y.a simple but dramatically effective warmly buzzing bassline is clambered all over by layers of interlocking pure analogue percussion.machine funk meets the locking crew for a warehouse showdown.3y heads into thus far uncharted territory. an evil, growling lfo driven bass underpins militaristic percussion thats slammed hard into ancient spring reverbs and accompanied by the sound of synthesisers being choked to death. heads down strobe-lit dancefloor action.

following vincenzos astonishing recent album, >wherever i lay my head<, which really elevated the producers status into the stratosphere, we continue the story with three new remixes, from cult legend tom middleton, smooth-talking newcomers genius of time, and talented uk-based mic newman. tom middleton, who needs no introduction as the legendary producer behind such classic projects as the jedi knights, global communication and cosmos, hands in a modern deep techno remix that shimmers with melody and dubbed out echoes of the original version of >sometimes saturday<. leaning towards epic, with moody old-school synth builds set against contemporary punching bass tones, it certainly doesnt disappoint. swedens maverick slow-housers genius of time rework vincenzos >106 downtown< which is also a work of genius in its own right. the boys add sensitive, detailed down-tempo beats with some wonderful warm swirling vibes mic newman transforms >hello!< into a crafty fresh tech-house groover with his dub remix. floating, ethereal synths mix with bubbling acid and liquid beats in this seriously smooth and complex mix.

last summer hey blop (live series vol ii) was the hymn that burned down dancefloors all over the world. gabriel ananda continues his live series (here vol. iii) and delivers 2 more sophisticated techno-tracks with diabolic methods.